火范文>英语词典>subverts翻译和用法

subverts

英 [səbˈvɜːts]

美 [səbˈvɜːrts]

v.  颠覆; 暗中破坏; 使背叛; 使变节; 策反
subvert的第三人称单数

柯林斯词典

  • VERB 颠覆;破坏
    Tosubvertsomething means to destroy its power and influence.
    1. ...an alleged plot to subvert the state.
      涉嫌颠覆国家的阴谋
    2. ...a last attempt to subvert culture from within.
      试图从内部瓦解文化的最后一击

双语例句

  • This novel subverts and deconstructs the revolutionary narrative and discourse, keeping features of the late generation writer while foregrounding the narrative strategies and discourse of the new narration.
    一方面毕飞宇颠覆、消解了革命叙事和革命话语,既残留晚生代的叙事特征,又突显了新的叙事策略和话语特点;
  • M.Butterfly subverts the traditional opposition of West and East that continues to structure the Western gaze.
    《蝴蝶君》是对东西方话语权力关系的一次颠覆。
  • While modernity is characterized by meta-narrative, post-modernity subverts meta-narrative.
    “现代性”以“元叙事”为其特征,后现代性是对元叙事的颠覆。
  • In these three books, Woolf's deep insight subverts the traditional idea of normal and abnormal, male and female, active and passive, sacred and profane.
    在这三部作品中,伍尔夫通过入木三分的刻画及分析,颠覆了传统的正常与不正常、男性与女性、主动与被动、神圣与世俗等概念。
  • It subverts the traditional narrative, highlighting the social attributes of the characters, bringing a new visual experience; It opened up a new aesthetic standard and this standard combination to practice, thus enriching the MV market.
    它颠覆了传统的叙事方式,突出了人物的社会属性,带来了新的视觉体验;它开拓了新的审美标准,并且将这种标准结合到了实践中,从而丰富了MV市场。
  • Aesthetic intersubjectivity of New media art subverts aesthetic structure and creative way of traditional art, forms new art experience and mentality, and enriches aesthetic characteristics of modern art.
    在新媒体艺术中,审美的交互主体性取代了审美的主体性,颠覆了传统艺术的审美结构和创作方式,形成了新的艺术经验,充实了现代艺术的审美特性。
  • By means of the collage technique, Barthelme subverts the traditional hierarchy in the novel and renders it centerless.
    通过运用文学拼贴画的技巧,巴塞尔姆颠覆了传统小说中的等级秩序,从而消解了小说的中心。
  • Media can be designed to be creative, it subverts our usual design and communication, media and advertising fragmentation of knowledge, to establish a broader Ye it more complete, there was contact and the creation of the concept of advertising among.
    媒体可以被设计,可以被创意,这颠覆了我们一贯对设计和传播、媒体和广告割裂的认识,它建立起一种更广泛也更完整的,存在于联系和创造之中的广告设计观念。
  • Secondly Bandrillard explored the symbolic exchange, which subverts the reality principle;
    中期探究符号性的象征交换,以此颠覆现实原则;
  • In The Golden Notebook, Doris Lessing absolutely subverts this binary opposition.
    而莱辛在其《金色笔记》中颠覆了它们之间的二元对立关系。